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Archive for the ‘God’ Category

The people we worship with are at different places along the orbit round the divine.  It doesn’t matter.

Every Thursday morning, a dozen of us – mostly retired folk – meet to take communion with each other and to stay behind afterwards for coffee and a chat.  This morning, one of our number, a pious elderly lady shared with us her horror on discovering “from a TV programme” that there are many people in the world who do not know, let alone accept, that Jesus appeared on earth and was crucified.  She was visibly bewildered and upset at hearing this. We sought to comfort her and suggested that the right thing to do was to pray for such people.

It is difficult not to be condescending. But I tell myself that it does not matter where she and I are on the spectrum of belief.  Whatever encyclicals say, there is no hierarchy of faith which claims that one sort is ‘better’ than another.  We kneel together at the same altar rail knowing that any valid picture each of us has of ‘God’ is that of a concept that doesn’t care where we are in religious terms, accepting us as we are; and that, as Socrates put it, “All men’s souls are immortal, but the souls of the righteous are immortal and divine.”

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If, like all scripture, the New Testament is soaked in allegory and metaphor, we are entitled to question a number of propositions, including the atonement theory, and their dependence on an anthropomorphic view of “God”. (more…)

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Who was Jesus?  That question, put by friend and foe, has been discussed, sometimes violently, for two millennia.  Despite Catholic doctrine, there is no easy answer.  The question comes up again and again.  Its difficulty lies in how we should regard the person at the central reference point of our faith. (more…)

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To draw parallels and affinities between the media of art on the one hand and of religion on the other is, I suggest, a useful approach.  Applying it, one common factor is immediately evident in both.

In art, for instance, there is a clear distinction between the object ‘as it is’ and the object as it is perceived (Plato’s allegory of the cave and the writings of Kant and many others refer).  Moving this over to religion opens up all sorts of revelation.

But this is the principle at its simplest.  As we have noticed, religion has over the centuries been adept at creating hosts of diverse representations in order to affirm, however inadequately (because they can never be perfect) that there are many different facets to the creeds on offer.  These representations come and go in response to promptings from the host culture.

The Paschal Lamb, for instance, draws its imagery from a context in which agrarian societies think it best to offer sacrificial gifts to ‘God’.  That sort of imagery works well enough when people perceive it as normative through the prisms of their community’s histories, habits and assumptions.  Where this perceptual congruity starts to fail, however – to become less and less useful or convincing – the more troubling and intrusive it becomes.

At its base, this phenomenon is yet another manifestation of the struggle to define the object satisfactorily; it is, rather, a longing to be able to do so.  In this arena, any metaphor can be pressed into service, and, if it still ‘works’, recognised and accepted for what it is: a way of seeing that seems right and proper and fit for purpose, however distant it may be from everyday reality.  Meaning in one sense rivals another.  As Pascal noted, “Quand la parole de Dieu qui est véritable est fausse littéralement elle est vraie spirituellemente. Sede ad dextra mei : cela est faux littéralemente, donc cela est vrai spirituellemente” (Pensées, 272).

In their heart of hearts, most believers know that this duality, whereby the existent and the perceived reinforce each other, amounts to a differentiation between truth and reality but is in no way unacceptable religious discourse.  When we sing Rock of ages we know that we are not referring to any kind of big stone.  But can we get past all the metaphors?  Is non-realist language the only medium available to us?

How far can we go along this path before getting into trouble?

The Bible is, as many have recognised, full of metaphor.  It is the only way it can ‘work’ as it were as a stream of living water from which we draw the language we need to interact with the divine. But to what extent are we ‘allowed’ to do this?

This threatening question is precisely what fundamentalists condemn.  Always on the look-out for wrong interpretations of scripture, they see that permitting us to regard the Creation story as an allegory rather than factually accurate is to inflict careless damage on the literalism that guarantees, as nothing else can, the validity of the Bible as the ur-text of our faith.  The Adam and Eve story must be protected because if it is not, then the way is open to the heresy that some parts of the Jesus story are metaphorical: if that word means ‘untrue’ (it doesn’t) then that is an unacceptable undermining of the major elements of Christian doctrine.

So it is at this point in the quest that we must think about Jesus.  Ah, Jesus (to be continued)

 

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My personal search for “God” inevitably involves going over ground long since tilled by others.  Some of them and their findings I am aware of; many others, not.  That’s not a problem.  This is not an academic paper.  It is merely an opportunity for me to track my own ideas about this mystery, feeding on others’ work where it seems right to do so. (more…)

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At this point in my personal search for a “God” to believe in, I need to stop and review briefly where I have got to.  It’s the equivalent of ‘the story so far’; an opportunity to pause, take stock and look ahead.  What is becoming increasingly evident is that whatever I think I have discovered up till now has implications.  Some of these are bound to be trivial; others, not so.

This is the moment when the law of unintended consequences kicks in.  It is all very well coming to the provisional assessment that the “God concept” is too ineffable, too far beyond all our frames of reference to aver even that “God exists.”  If we couple this finding with the other one arising from this series of posts – that religion and faith need copious infusions of metaphor, allegory and symbolism in order to work properly – then we have to ask how far this can be taken before it poses a threat to core principles which we assume (if we are religious in any way) are essential components of our belief system.  To look at how this works in Christianity for example, we have only to compare the essentiality of the doctrine of the Immaculate Conception with that of the central tenet of the Christian faith, that Jesus Christ died for our sins.  The one of these is, in my view, something we can take or leave; the other is very different indeed (to be continued).

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As is always the case along the quest for ‘God’, I soon come across the footprints of other, better writers and thinkers who have got there before me.  I wanted to think about the way in which metaphor and symbolism reinforce the language of any faith system when I accidentally came across the following paragraph by a theologian writing late in the 19th century:

“Symbols are the only language suited to religion.

It would be an illusion to believe that a religious symbol represents God in Himself, and that its value, therefore, depends on the exactitude with which it represents Him. The true content of the symbol is entirely subjective: it is the conscious relation of the subject to God, or rather, it is the way he feels himself affected by God.

From this point of view we may see in what religious inspiration psychologically consists. Neither its aim nor its effect is to communicate to men exact, objective, ready-made ideas on that which by its nature is unknowable under the scientific mode; but it consists in an enrichment and exaltation of the inner life of its subject; it sets in motion his inward religious activity, since it is in that that God reveals Himself; it excites new feelings, constituting new concrete relations of God to man, and by the fact of this creative activity it spontaneously engenders new images and new symbols, of which the real content is precisely this revelation of the God-spirit in the inner life of the spirit of man.

The greatest initiators in the religious order have been the greatest creators of symbols.” (August Sabatier.  Outlines of a Philosophy of Religion based on Psychology and History.  1910. Chapter 4, Section 6 Symbolism)

If we accept that metaphor and symbolism help faith, not hinder it, then certain parts of scripture and Christian teaching become easier to understand.  A good example is provided by Jesus’ parables (the purpose of which is set out in Matt 13:10-17).  Like drama – which is another art – they provide us with the means pictorially and helpfully, to discern the truths and frailties of human behaviour.  As such, they should be treasured as windows through which we can see and evaluate aspects of that interaction between ourselves and ‘God’ (any concept of which) and modify our beliefs and stance accordingly.

This is all very well, but – to speak only about Christianity – the more we scan scriptures for the lodes of meaning running through the parables, sayings and incidents we have inherited, the more difficult it becomes to subject the great narratives of our faith to such examination without seeming to undermine them, and thus our faith, in some cases (not others) quite disturbingly.

The first of these great narratives, however, is the one least likely to cause this kind of offence.  About the Nativity, the late Marcus Borg wrote “the stories of Jesus’ birth are myths in this sense [that is, “symbolic narratives and not straightforward historical reports”].  Along with most mainline scholars, I do not think these stories report what happened. The virginal conception, the star, the wise men, the birth in Bethlehem where there was no room in the inn and so forth are not facts of history.  But I think these stories are powerfully true.  They make use of rich archetypal religious images and motifs to speak of Jesus’ significance.” (The God we never knew. 1998. Pp101-102).

Similarly, on another of the great narratives, Borg said that “Easter need not involve the claim that God supernaturally intervened to raise the corpse of Jesus from the tomb.  Rather, the core meaning of Easter is that Jesus continued to be experienced after his death, but in a radically new way: as a spiritual and divine reality.” (op cit, p93).   I intend to return to this particular trope at a later date.

I assume that these ideas formed part of earlier theological teaching of Biblical demythologisation, by Rudolf Bultmann and others.

Another of the great narratives of Christianity, Pentecost, celebrating the Holy Spirit’s gift of tongues 40 days after Easter (in Acts 2), seems to me to be a quasi-symbolic depiction of the apostles’ realisation that their mission now was to go out and spread the Good News.  The story is written in a highly theological register but with persuasive touches of realism which must have been experienced during an actual incident and recalled later by eye-witnesses (Peter’s insistence that he is not drunk, for example).  Again, here, there is nothing in the interplay between symbolism and ‘what really happened’ to cause us to doubt or reject the basic meaning of the story and so lose the message.

With the Passion, Crucifixion, Resurrection and Salvation narratives, however, we enter altogether more difficult terrain, where the allocation of story-telling editing here and meaning-laden metaphor there, realism and symbolism, has to be set out with exceptionally careful handling.  Here the quest for God is really put under pressure. [To be continued]

 

 

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